I'm sure I'm not alone in thinking that design comes with a lot of uncertainty. Will the client like it? Is it feasibly possibly to build? Perhaps the most agonizing kind of uncertainty is when the designer is unsure of their work. We've all been there. But, this article from Toptal discusses how it is normal and healthy to question our work. And how people might be impressed with a designers awareness of their shortcomings. Rather than providing "bs" as to why it is not up to standard.

h1 font: panforte, h2 font: Oranienbaum, paragrpah font: CaboSlab.
The h1 is a clean serif that is also interesting to look at, almost like a script but much more readable. The h2 is the still roundish but those feet add needed contrast amongst the other two fonts. The paragraph font is my favorite with it's newsprint like qualities. But it is still smooth like a sans serif.

The roundness of the header font and the paragrpah font mesh well. The paragraph font, CaboSlab, looks almost like a blog post font, which I feel goes well with the article's subject of telling designers it okay to be unsure. Almost like its in an chat room. And then the h2 font contrast well against the two smoother fonts but is still slightly rounded so they're all still cohesive.

More than likely throughout one's student days, they will recieve a talking to about creative theft and plagirism and all its consequences. This article from Toptal speaks to the subject of how designers can hone their skills by "stealing" and "rebounding" ideas.
Few of us can make anything good without practice first. Trial and Error, multiple failures, and hard work getting through the issues is what makes a great designer. It takes time and effort.

h1 font: Stealing kisses in the moonlight, h2: Rythmus, paragraph font: GenAR102
The h1 is a script font with decorative twinges that draws focus. The h2 is a clean almost chalk looking type. The paragraph font is similar to times new roman, a basic font that compliments the h1 without overpowering.

For the h1 font I literally typed in "Stealing" and picked the only one that came up. It worked out because the script fonts loops create a whimsical feel that goes with the whimsical article.
I wanted the h2 to contrast with the h1 and paragraph font without drawing too much attention from the h1, so this simple sans serif with slightly round ends and a light thickness does just that.
And the paragraph font ties it all together with good spacing and readability.